Friday, September 6, 2019

I Saw a Picture of You...

    Once again, I am moved to write about death, and once again, to no surprise but definite outrage, it involves that bastard, cancer. Specifically, I am writing of my work colleague and friend, Lynn Martens, who died after a long fight with cancer a couple of weeks ago.

     I first knew Lynn in professional terms shortly after I started working for the Erie County Department of Social Services in July 2014; I am the cashier in the accounting division, while Lynn was a senior investigator in Social Services’ Special Investigations Division (collections, etc.). Lynn was friendly if quiet when I first met her, mainly through the telephone contacts we had, and always polite, well informed, hard working and way more than competent. In a position that required her to answer concerns from our office that we were often unable to access the proper information to handle, were not authorized to handle or never thought to be trained to handle as well as present us with financial items sent directly to her that were often complicated if not messed up, her approach and attitudes were pretty much always on target.

     She also began being the person from her department who would visit our office every afternoon to deliver checks and other financial information and to pick up similar items for her division to research and probably resolve, as well as answer unexpected questions and concerns. Between these visits and us seeing more of what her job entailed and her seeing more of what our jobs entailed, we got to be friends and often joked about situations each department encountered.

     Unfortunately, in 2017, Lynn started telling me about not feeling well and her health situation worsening. She never said the word “cancer” directly to me for a while, but described treatments and ailments that would lead many people, and especially me, the son of a more than 20-year cancer survivor at that time, to easily deduce that she meant cancer. That summer, she told some of us that she as taking a medical leave of absence for surgery, radiation and chemotherapy treatment, leaving no question about her health issue. We wished her well and I told her I looked forward to her return, something she said would take months but she was committed to doing.

     During this time, in October 2017, I suffered my heart attack and in November 2017 underwent lifesaving, massive open-heart surgery at the Cleveland Clinic. I returned to work in January 2018, and Lynn returned a few weeks later. I was still a bit pale and very thin (losing more than 40 pounds and eventually gaining about 20 of them back), and Lynn was a bit thin, pale and had lost most if not all of her hair and wore hats and head pieces of varying styles. She had heard of my health travails, so we immediately hit it off again and in new ways, both of us realizing that certain situations and issues just weren’t worth worrying about or paying much attention to and that we were sharing a survivors’ bond. We easily spoke of times and events that pointed to us being at the deciding point, between living and dying, and how we were doing absolutely as much as we could to assist in our doctors’ efforts to help us stay alive. Topics included such things you can’t talk to just anyone about such as trying to sleep the night before life saving or fatal surgery, what do you say to your spouse before they leave before you go under anesthesia for surgery, trying to figure out how to truly pace yourself during recovery, always fearing that something could go wrong even after surgery, trying to figure out when something was simply an old or new pain or if it was a symptom of something worse, and how to explain so much of this to people never in your situation, or even if you should try. We both expressed how fortunate we were to have great support from our spouses and families (my wife, Val Dunne, and my medical team are the reasons I am still here, and my sister Heather lent inestimable support and love).

     We both continued to recover and gain back weight, color and strength, at least for a while. Lynn plateaued a bit, never gaining her strength back as well as I did, and she never seemed to be 100 percent rid of cancer symptoms. Her hair grew back a bit more, but never as long as her not-too-long style in the past. A few months later, as we felt the dread that her cancer was returning, it did. Lynn decided she needed to give more time and health to her continuing battle with cancer, and because she had worked for the county more than long enough, she put in her retirement papers. We talked about her next fight and how she came back and recovered the first time, but she didn’t put as much faith behind a recovery this time, hoping she could make certain goals and warning me not to get my hopes up too high about her. This was an absolute punch to the gut, but I kept up as much of a positive feedback approach as possible. She announced this a few weeks before her actual leaving, which I thought would give me enough time to come up with something to say that wouldn’t be cloying or kind of betraying the honesty in which Lynn and I had discussed medical matters.

     But when that day arrived, the words hadn’t really come to me, but I tried. I wanted to say something that reflected our serious and medically personal talks, but nothing grim or unnecessarily sad. Of course, I also wanted them to be honest and intelligent; in other words, while I didn’t want them to sound like it, something proper to say to a friend who may very well be dying and who you may never see again. It’s not like there is any AP Stylebook, Elements of Style or other guides to this situation, only humanity and attempted grace, something to strive for regardless our chance of success.

     As always, Lynn was conscientious and conducted her business first, which I decided to handle from our department’s side, even though anyone in the office could have. I could tell people were watching and listening to us while trying not to look like they were doing so, as everyone knew Lynn was retiring for health reasons, although not everyone yet knew the extent of her cancer’s progress. As it was time for her to leave and actually finish some work on her last shift, I looked at her through the thick plastic windows of the counter at which she stood. In a voice cracking a bit, I told her, “let’s not make this farewell. Let’s make this the last thing I say to you for now and we’ll talk again down the road.” It was hard to say not only because the situation was making my voice crack, but also because I could see tears in Lynn’s eyes. We both knew that this was almost definitely farewell and that there really was no chance we would get to talk in this life again, but one thing I learned during my health crisis and have learned from Val’s continuing health battles is that there needs to be, there must be, hope. Regardless how bad Lynn’s cancer was, regardless how bad my heart situation was, you can’t take hope away from someone. Hope may not be a medication or procedure, but it can be just as powerful when you want or need someone to keep fighting or to want to keep fighting and searching for a cure or something to delay that fucking bastard death. I couldn’t give Lynn medication, I couldn’t perform a procedure, I couldn’t remove a tumor, but I sure as hell wouldn’t steal away any last hope of recovery or even extended life; I was not going to toss any proverbial shovels of dirt on her grave while she was still standing and fighting, if even just by living. Anyway, she smiled, knowing my discomfort as well as the reality she was living, and quietly said, “sure, this won’t be goodbye, not as long as I can help it.” She quietly walked away, and I walked back to my desk and buried myself in some computer work; we have neither cubicles nor walls in our office, so there is basically no privacy in the office.

     Several months later, a couple of weeks ago, we heard that Lynn was on the last part of her final journey and she died two days later, a little more than a month ago. A week or so after that, I saw her death notice in the Buffalo News, with a small photograph of her, healthy and smiling. That is how I am going to remember Lynn, happy and enjoying life, but also recalling how she helped me find a way through the toughest part of mine.

     The similarities in the timing of our medical crises, how we handled them and could talk about it and one of us dying while the other one lives and gets healthier is something I frequently run through my head. It doesn’t matter whether or not it is healthy or useful, I feel survivor’s guilt in this and other situations. Why did my critical health situation result in what medical professionals at the Cleveland Clinic called a miracle (actually two, my arriving there alive and my surviving the surgery) and my continued survival, while Lynn’s critical health situation led to a temporary recovery, an unfortunate recurrence of her cancer and, despite and all-out fight, her death?  Indeed, there have been too many recent deaths among my family and friends for me not to feel this way, no matter if there is any real sense of relevancy to it; survivor’s guilt manifests itself in many ways. Cancer in particular has taken too many family members and friends who Val and I consider family, My much too-young and always full of life niece Colleen Hosey Tucker died of cancer in her 30s in the last year, leaving a husband Michael and daughter Jessica; our very good friend Elayna Ratchford Buyer died after beating back cancer in previous bouts, leaving her husband, my longtime college friend Michael Buyer; Jill Manias, not only mother of our great friend Alex Manias but an incredible friend to Val and I as well, lost her battle with cancer, also leaving her husband, another wonderful person, Giles. Within the last couple of years or so, we lost a great friend who touched so many people in great ways and was an absolute lover and supporter of music, Susan Tanner, who is survived by her husband and another great friend, Marty Boratin. Sadly, this is no doubt a partial list. While she was a more than 20-year cancer survivor, the death of my loving mother, Sheila Connelly Hosey, in June, two days shy of her 89th birthday, has left assorted mental scars I’ll be peeling sway for years. As with Lynn’s health situation, I sometimes compare mine to these relatives and friends, wondering why I at least temporarily escaped the grim reaper and have this second chance at life.

     Fortunately, I do have some people I can genuinely and explicitly discuss these things with, starting with my incredible wife Valerie Dunne. We have been friends since 1985, started dating in 2000 and were married in 2002, and she has been and is the confidant, supporter, friend, lover and spouse I could only have dreamed to have had. She has been with me every step of the way, including the darkest ones such as being discharged from a local hospital to home without a referral to anywhere else after my surgery could not be done because of the detection of a torn aorta by my anesthesiologist. She never left my side as we traveled to the Cleveland Clinic for my declaration as being a “miracle” for getting there alive and for surviving my massive open-heart surgery. I’ve told her how amazing it was to see her every day before and after the surgery, especially when I slowly came out of the anesthesia that knocked me out for more than a day. My wonderful late father, Edward, was a quiet, sometimes seemingly secretive man, much of it from his military intelligence training as well as nature; I sometimes would act the same in the past, while normally being much more open. With Val, I can be 100 percent open, discuss my worst fears and confusion and always receive honest, thoughtful, supportive insight. For those who aren’t aware, Val has lived with and fought multiple sclerosis for more than 25 years, so she has certain insight into many of the concerns I have come to more recently, and I am a grateful listener. Because of the caregiver side of me, I have had some great, supportive, eye opening discussions with a friend, Sherry Brinser-Day, who knows about much of what I went through and the many thoughts and feelings I have as a survivor and caregiver because she is the so far successful wife of a heart transplant recipient and is also a successful mother, social services style worker and until recently, roller derby skater (and herself has survived medical crisis). There are some things we feel and do and try to handle that another person not experienced in these areas may not understand or take in a manner not intended. One of our most interesting discussions was how we both realize we don’t always take care of ourselves and our needs as best we should, almost feeling guilty or selfish if we do something for ourselves when we feel we could be doing it for our spouse or her children. It’s not that we necessarily feel trapped or even strongly obligated to act this way so often, but we do feel a responsibility as well as a real joy at helping someone like our spouses be their best when possible and to give then as much independence as possible (certainly my lovely wife Val has much of that and I don’t want to take too much responsibility for all of her accomplishments).

    I realize that the survivor’s guilt will continue to be something I deal with on several levels. I will always wonder why I made it to the Cleveland Clinic in time, before my heart attack and other issues were so much worse or had even killed me, while other people never got that chance. I am eternally grateful for the lifesaving medical and personal care I received there and every moment I have had since my surgery there with Val, Harold, family, friends, colleagues, writing and music. I hope I honor those who didn’t get the opportunity I had, the miracle as it were, to continue living, creating, loving and even feeling pain, annoyance and loss. Speaking to other friends and family who have undergone these and similar medical situations, and to some friends who have survived combat, I realize that the time I have lived since the surgery and any further time I have is pretty much bonus time, is kind of playing with house money, and I intend to play as long as that bank remains. I also feel I owe it to people who did not get the chance I had, who succumbed to their heart ailments, cancer, diabetes, emphysema, vehicle accidents, violence, accidents, Alzheimer’s and other conditions, to make my life, my living worthwhile and worthy of their memory and efforts. People like Lynn, like Elayna, Colleen, Susan, Jill, Joseph Natale, Tim Moran and others showed me how to live and sadly how to die with dignity and purpose, and I owe them the respect and love of living a good life, a vital life.

     I sit here writing at my computer in the chair and at the desk I was at October 21, 2017, when I suffered my heart attack; if I look down, I can see the start of my scar, my “zipper,” from my open heart surgery. I have Harold laying at my feet and I can hear Val working in the studio. I don’t need any more reminders of how fortunate I am or of how much others have lost.

Sunday, October 28, 2018

Bud Redding - 'Control/Career'

Bud Redding has been a fixture on Buffalo/Western New York’s original music scene for longer than I have, as a fan, musician, DJ, booker of bands/general catastrophe avoider at The Continental and supporter/helper of many other musicians, writers, clubs and so on. Redding is also a United States Marine Corps veteran with a strong libertarian (specifically lower-case L, with his lack of trust of politics/politicians) streak.

While he previously recorded with Funk Monsters and Women, among others, only very recently, earlier this year, did he release his first solo CD, “Control/Career,” on Rachael’s Owl Music/Electric Owl Works Records. I am really enjoying this CD, with all performances by Redding. It sounds like great old school synthesizer based alternative music (at times you can hear some Electroman influence, not surprising since Redding created and performed a rock opera on the late, great Mark Freeland), and I write that in the best sense possible. Synths and keyboards sound like synths and keyboards, and not like they are trying oh, so hard to sound like other instruments. Rough edges are left in, when vocals need to be treated and/or distorted they are, and Autotune would be a travesty and is not present here.

The CD starts off with the strong, mid-tempo “Red Hearts and Black Hearts,” with somewhat bouncing synths and a higher-pitched melodic keyboard joined by sampled vocals repeating “Haile Selassie,” all over a steady dance rhythm. “AT-54 The Electron Sampler” is a warning against control and manipulation of access to information and people by technology and the media. Musically, it has a more ominous sound, with thicker keyboards and a more martial rhythm. “Today” features majestic, thick and strident synths as Redding sings of living in the moment, controlling anger that is simmering inside. He notes that he controls it for now, but…

“Astronaut” is very fast-paced, with keyboards and vocal samples (including one of Public Enemy’s Chuck D) joined by a guitar synth melody. Redding wants to be above and beyond the fray, control and surveillance of everyday life and apparent law enforcement/the state. “Wide Asleep” is a less frenetic song, smoother but still urgent lyrically, with Redding guaranteeing that while people crossing him won’t necessarily get their just desserts today, he will pay them back double for their transgressions. On “Don’t You Drink the Water,” Redding uses a reggae/island style beat to illustrate how international conglomerates and monied interests ruin less “developed” areas through pursuit of money and causing/dumping of pollution and wastes. “The Devil’s Bedroom” is another major up-tempo synth dance-oriented song over sounds of bedroom activity and possible warnings of people using sex as power, domination and manipulation. 

While I mentioned that synthesizers and keyboards are allowed to sound like themselves and not like imitations of other instruments, people should realize that this is a well put together and sounding recording, recorded and mixed by Redding and produced and mastered by Charles H. Root III at Electric Owl Works in South Wales. There is also some very cool cover artwork courtesy of Craig Larotonda of Revolution Gallery on Hertel Avenue in Buffalo.

“Control/Career” can be obtained from Redding at his live shows, and is also available on Google Play, Spotify, iTunes, Amazon Prime, and either is or will be soon be available at Revolver Records, Frizbees, and Revolution Gallery.

Sunday, June 10, 2018

Frustration, or How I Learned to Start Worrying and Hate Writer's/Creative Block

To say I am frustrated would be accurate but a vast understatement.

It has been almost 7 months since my lifesaving cardiac surgery, and while I have recovered quite well physically, returned to work and gained back almost 15 of the more than 40 pounds I lost, I am still showing the effects of the massive amount of surgery I underwent at the Cleveland Clinic. I was told that I would feel a post-surgical fog of sorts for up to 12 months, considering I was out of things from the anesthesia from my surgery for more than 24 hours.

When you are recovering from major surgery, you expect to be feeling its aftereffects for a while; I had to relearn how to breathe deeply so I could speak in phrases of more than a few seconds without gasping for air and to make sure I could be heard and understood; this took only a few days, but my breathing exercises to strengthen my lung capacity and endurance went on for a couple of months and a was a major part of my at-home recovery. Despite all of my resting and recovery attempts, I passed out my first day back to work in January from dehydration, but returned after only one day out and have been back to work and fine ever since. In fact, work has gone quite well, with my ability to concentrate at least as good, if not better, than before and I have taken on a bit more responsibility. To be honest, I do drink a lot more fluids and I have started taking in a bottle of Coke Zero, the only sugar-free soft drink I really like, but I drink it sparingly, taking full effect of the therapeutic properties of its caffeine.
DJing at WBNY, my apparent creative refuge

So, what is the source and cause of the above-mentioned frustration? I am still feeling fatigue from the post-surgical fog/effects of the surgery, which strike soon after I get home from work during the week. I first walk our dog, Harold, which fortunately doesn’t take too much out of me physically or mentally…or so I thought. When we get home, I have to make dinner, and lately, I am feeling rather tired but still make dinner.

NOW, I hit the major frustration; any creative activity, mainly my writing, is like a mountain to climb or marathon to run, as I am physically and mentally more tired than I was pre-surgery. I used to be kind of bad falling asleep after diner, but I am now notorious for dozing off. It is something that doctors, nurses and therapists at the Cleveland Clinic told me would happen, but I hoped it would not have such a hold on me and for so long. I have specific projects I am working on and want to work on, but I can’t seem to get through the fog, the tiredness and the reawakening of parts of my brain to accomplish them, or certainly not at any pace or quality that satisfies me. I am either getting inspiration and ideas at the more inconvenient times, such as work or when walking the dog, or I am not getting them at all or weakly.

I was fortunate to have been given a talent, an ability to write in manners that communicate with people and present concepts in cogent, convincing and entertaining manners; not everyone has certain creative talents or the ability to convey them, and writing has become inseparable from me and my identity. It was my job as a newspaper reporter and editor for more than 18 years and has been my life as a professional writer for more than 30 years. Not being able to write meaningfully, and not being able to overcome certain obstacles, even if temporary, is a real punch to the gut; even though I have taken to photography to express certain creative feelings and ideas, I feel as if I am wasting my real creative talent. It is incredibly gratifying to be and call myself a writer, and not being able to do so in any way near what I want is almost like telling me I am no longer a writer, regardless of that being true or not.

It isn’t as if I haven’t tried to get through this; I continue to write on social media, and don’t think the quality or quantity has decreased, but instead of being complementary to my writing for publications and blogging, it has virtually become my only outlet. After I got out of the hospital, I began writing about certain memorable parts of my two stays, and ended up writing thousands of words on it. Not one piece, not one word has seen the light of day, because I do not feel any of it is good enough to share; there are some things I really want to write about, including medication affected dreams and hallucinations, but I’ll be damned if I can find any words even close to expressing what I felt and saw. I discussed this and other related concerns with my incredible wife, photographer Valerie Dunne, who has been amazingly supportive and offered my several approaches and resolutions, as have other artists and creative people when I ask for advice or recommendations on this topic.

Being strong headed (to put it mildly) on my writing and related activities, advice is sometimes difficult to filter through my specific creative ability and approach. I am not the type who can or will write simply as catharsis and put it out there; I always have and probably will write something that is up to certain standards before I put it before other people, and communication with others is vital to me. I have tried to write notes or partial ideas and thoughts, but that hasn’t led to anything and it hasn’t shaken me loose from the writer’s block. I appreciate all of the support and ideas people have given me, but I hope they realize, and I’m sure most do, just how individual the creative process can be for people, not just across artistic and creative endeavors and fields, but between people in the same creative areas.

I will struggle with this creative/writer’s block until it goes away or until I stop caring about it, and I can’t ever see the latter occurring. I have suffered periods of writer’s block in the past, none this long or as frustrating, and I hope you’ll bear with me until I send away or temporarily stop, if not slay, this dragon.

Postscript: Thinking after finishing this piece, I did forget one very important and enjoyable creative route that has treated me well over this recovery, that being able to DJ at WBNY 91.3 FM at Buffalo State College. As an alumnus, I did my annual Alumni Weekend show, but what really helped me was being able to be the substitute DJ for two weeks for Robin Connell (an excellent DJ with fantastic musical taste) on her “What You Need” program. I was able to create a sound experience for two, three-hour periods thanks to Robin offering me this opportunity and with Val giving me lots of encouragement and musical suggestions. Since that occurred in May, I hope the creative boost gave me stays around a while and I would appreciate the opportunity to DJ again at WBNY, one way or another.

Thursday, April 26, 2018

'Death or Glory: Came too Close to the Former This Time' Play List & More Ramblings of Gratitude

     While I once again had a lot of fun DJing my annual WBNY 91.3 FM Alumni Weekend shift this year, circumstances were a little bit different during my scheduled midnight-3 AM Saturday night/Sunday morning, April 22, show.

     Since I haven't blogged about it here, this year's edition of "Death Or Glory: Came too Close to the Former This Time," celebrated my survival from a heart attack and aortic aneurysm event October 20 and open heart surgery at the Cleveland Clinic (the medical and all of the staff there are amazing) November 20, which included a triple coronary bypass, aortic tear repair, aortic valve repair, three stents being placed inside me, including my carotid artery, and, a new thing to me, the implanting of a "frozen elephant trunk," a vinyl mesh vessel inside the aortic artery running basically from my upper chest above my heart to my hip region. I am feeling very good, about 95-97 percent recovered, back to work, walking Harold, grocery shopping and living every grateful moment with my lovely wife Val Dunne.

Your DJ, WBNY studios, 2016.
     Being back on the air at WBNY meant even more than usual to me; the music is always a big part of things and my life, but to be able to handle the physical side of what turned into a more than 4-hour air shift (I actually played music until 4:30 AM) and what it means for my physical and emotional survival is also big. It also has allowed me to be artistic and creative, something I have needed and not been able to do very much since my surgery just over 6 months ago as of this writing.

     I tried, as usual, to play much of the music I love and that has influenced and inspired me, with some changes and some songs reflecting my medical needs, recovery and references to hearts and blood in general. I did forget to take in a few songs (not bringing Roxy Music's "In Every Dream Home a Heartache" was a particular disappointing omission), but I feel I had my best show in my "Death or Glory" series, musically and technically, even with a few goofs. I could have gone on until 5 AM or so, but I could feel myself getting tired and didn't want the quality of the show to decline or to drive home while dozing off.

     So, here is my play list from the show:
 
     Midnight – “Death or Glory,” the Clash; “Love Like Blood,” Killing Joke; “Discovering Japan,” Graham Parker and the Rumor; “Poptones,” Public Image Limited; “Heart Attack and Vine,” Tom Waits; “Broken English,” Marianne Faithfull; “Tell That Girl to Shut Up,” Holly and the Italians; “Hello Birmingham,” Ani DiFranco; ”Girl Power,” Mark Freeland/Electroman.

     1 AM – “Heartbeat,” the Vores; “Good Luck, Money and Gasoline,” the Pine Dogs; “Crash All Night,” Jim Whitford; “Indy 500,” girlpope; “Pumping My Heart,” Patti Smith Group; “Love Comes in Spurts,” Richard Hell and the Voidoids; “Cretin Hop,” the Ramones; “One Way or Another,” Blondie; “You Burn Me Up (I’m a Cigarette),” Robert Fripp; “Do the Strand,” Roxy Music; “It’s No Game (Part 1),” David Bowie; “Trans-Europe Express,” Kraftwerk; “Cross-eyed and Painless,” Talking Heads; “Looking for a Kiss,” New York Dolls.

     2 AM – “Death Valley ’69,” Sonic Youth; “Heart,” Rockpile; “Down in the Park,” Gary Numan; “Damaged Goods,” Gang of Four; “Click, Click, Click,” English Beat; “Sister Europe,” Psychedelic Furs; “While the City Sleeps,” the Ramrods; “I’m the Target,” Paper Faces; “Hail to the Chief,” the Rain; “Drag the Lake,” Oui73; “This Is It,” the Jumpers.

     3 AM – “Nighttime,” Ray Wylie Hubbard; “Marie Marie,” the Blasters; “Ashtray Heart,” Captain Beefheart and His Magic Band; “Sex Bomb,” Flipper; “Tell Me When It’s Over,” Dream Syndicate; “Good Morning Aztlan,” Los Lobos; “Boxcars,” Joe Ely; “A Million Miles Away,” the Plimsouls; “Two Angels,” Peter Case; “Killin’ Time in Texas,” Gurf Morlix; “Hot Blood,” Lucinda Williams; “No Action,” Elvis Costello and the Attractions; “Start!” the Jam; “Holidays in the Sun,” Sex Pistols; “Tattooed Love Boys,” the Pretenders.

     4 AM – “Your Phone’s Off the Hook (But You’re Not),” X; “Pink Turns to Blue,” Husker Du; “Uncontrollable Urge,” Devo; “From the Air,” Laurie Anderson; “The Ascension,” Glenn Branca.

     As always, I want to thank the staff and management of WBNY 91.3 FM for allowing us alumni to come in and have some fun on the air, and while I will make an official announcement very soon, I will be gracing the airwaves again soon, way before next year's Alumni Weekend. 

Thursday, December 14, 2017

2017 Rock and Roll Hall of Fame Inductees

     I don't care; there are many WAY more important musical topics to discuss. Anyway, Smithereens' singer, songwriter and guitarist Pat Dinizio's death is much more meaningful.

Monday, July 3, 2017

Susan Tanner: 51 Years Is Not Enough



     Susan Tanner’s tragic death from cancer April 24 and the loving response on social media and in several publications demonstrates what an effect her death has precisely because Susan had a greater, loving, professional, intelligent, funny and more positive effect on us with her life.

     Susan was known professionally for working for several major record labels in New York, Boston and elsewhere, before returning to Buffalo to work for Righteous Babe Records and Ani DiFranco for many years. I can attest to Susan’s professionalism, knowledge and respectful treatment of others from my time writing for several publications, and her industry background and regard has already been written about well by Donny Kutzbach in The Public and Dale Anderson and Jeff Miers in the Buffalo News.

Longtime friend/Righteous Babe colleague Mary Begley, left;
Susan Tanner, Marty Boratin and Jon Langford at the
Tanner/Boratin residence for a Skull Orchard show in 2014.
Photo by Barkloud Productions/Val Dunne Photography




     Susan was also well known, and in the long run maybe better or with more reverence, as the hostess with her husband, Marty Boratin, of what is basically Buffalo’s rock and roll bed and breakfast, their home in Eden. The couple hosted many house concerts, parties and other events, and gave accommodations to many touring bands who needed and often could not afford a place to crash. Regardless their day job responsibilities, Marty and Susan also fed and entertained the musicians, seeking nothing more than some good music and friendship in return. There are too many shows to remember, but among the memorable ones I recall are Peter Case, Jon Langford, Oh Susanna, Gurf Morlix and a host of local performers. Susan, an accomplished singer in her own right, even joined Jon Langford (The Mekons, Waco Brothers) reciting poetry during one of house concerts. Susan and Marty’s Independence Day and Christmas parties are also legendary, bringing people back to Buffalo who moved away years ago.

     There may be no one absolute way to fight and live with cancer, but Susan certainly found one that worked for her and those around her. With an intelligent, scientifically trained and educated mind and awareness, she researched and participated in interviews and discussions about and in actual treatment trials for her cancer. She frequently traveled out of town for these treatments and consultations, and was very open about her cancer diagnosis, status, treatment, how she was feeling and what stage she was in at that moment. Having cancer was not going to stop Susan from using her mind, body and spirit to fight this bastard and to live a full life, She openly and repeatedly acknowledged she received primary health care and her cancer diagnosis from the medical staff of Planned Parenthood, a group of dedicated professionals who helped keep Susan alive. Friends and loved ones of hers have made financial donations in her name to Planned Parenthood, a fantastic idea. During a memorial celebration for Susan at Babeville, college friend, record industry and radio colleague Anita West movingly spoke of their friendship, fun together and their shared fights with cancer, probably sharing more than anyone else could from that period. West came into that event blazing, wanting people to know that much more about Susan and her life as well as know about the ups, downs, loves and fears of living as they did and fighting cancer.

Susan Tanner recites poetry with Jon Langford, 2014.
Photo by Barkloud Productions/Val Dunne Photography
     I can write of a bit of familiarity with Susan’s caring and sharing of hopes and fears of chromic and terminal diseases. My lovely wife, photographer Val Dunne, was diagnosed with multiple sclerosis 24 years ago, and fights it every day; indeed, she is currently in an about 3-week episode/flare up of the disease, and just returned to work. We have been fortunate to be friends with Marty and Susan for longer than we can remember, more than 30 years (hell, my sister Heather had Marty’s late father as a high school teacher). Val has been through many trials, experimental drugs and treatments, even chemotherapy, and like anyone suffering from chronic or terminal illnesses, a toll is often taken. For the last several years, every time we see Susan and Marty, particularly at their home, after a while Susan, Val and several other people living with chronic and/or terminal health issues will start talking about what they are going through, sharing information and empathy, offering advice, solace, support and love. After a moment or so, I will leave these conversations, because while I may be the spouse and partner of someone in this situation, I cannot fully know what it is like to live with such diseases, and I felt like a bit of an intruder; I was never made to feel this by any of the other people, but I realize that there are experiences I cannot fully understand without being the person in the crosshairs. Val and other people I’ve spoken with who were part of these discussions always credit Susan with being incredibly open, positive and supporting, sharing information about everything from how to try to avoid nausea and bad tastes in the mouth connected to chemotherapy and other drugs, which pains reacted to which medications and other treatments, which medical staffs were more understanding and caring, and what the best places to stay and best modes of transportation were for people with health conditions. Oh, and of course, diet was key, along with gardening, as were appreciation of good music in all its forms, good friends, books and conversation. According to Val and others I have talked to with these medical conditions, Susan was never short on warmth, understanding, shoulders to cry on and a song to cheer them up. I noticed that talking with Susan raised Val’s spirits, and indeed mine, during periods when her MS was really causing her trouble. When Val was hospitalized with pneumonia a couple of years ago, besides family and staff, Susan was her only visitor.

     Susan and Marty were/are great people on their own, but made/make an incredible couple together. Their home was warm, open and inviting, there was always good food and good music there, beverages of all kinds and an understanding that love truly conquered all.

     I am finishing writing this piece July 3, one day before their annual Independence Day party, which thankfully will be held this year. It will be hard not to think about and miss Susan, but those people like Susan who live their lives without wasting time, who truly help others live better lives and understand the difficulty and heartbreaking parts, we miss them because they were such good people. And a lot of good continues in this world because Susan made damn sure she lived to make it better. This piece took me longer to write than normal because I wanted to make sure I got it right that I could offer a real side of Susan, and because, honestly, her death has shaken me. Let’s be good to each other; Susan always was to us.

Monday, May 29, 2017

'Death or Glory: Requiem for Friends' Playlist, Thoughts

    
The theme of my WBNY Alumni Weekend show this year, “Death or Glory,” went through a last-minute change due to some sad, unforeseen circumstances, and became “Death or Glory: Requiem for Friends.”
 
    This is due to the recent deaths of three friends, all with strong connections to Buffalo’s music community: Tom Connolly, one of the originators of WBNY and continued supporter and air personality for years; Thelma Lee Ballard/Bad Penny, uber-fan and nicer person than many realized, and most recently Susan Tanner, who worked in the music industry for years, both nationally and at Righteous Babe Records here in Buffalo, remained a strong and knowledgeable supporter of music and was a host for bands at the home she shared with her husband, Marty Boratin.

     My original theme for this year’s edition of “Death Or Glory” was originally planned to be “Think! It Ain’t Illegal Yet,” responding to the political atmosphere of stupidity, deception/outright lying and savage right-wing ideology being applied by the current president and his political allies. It was to be a broadcast call to arms on how artists of all walks are part of what could be called the best of the resistance. Even if you are not a lefty, opposing political dishonesty, mean spiritedness, anti-intellectualism and corruption through arts and other acts should appeal to all who believe freedom of expression is a precious and powerful freedom.
Your author/radio host, kvetching. Photo by Val Dunne Photography

     But with the deaths of the three friends mentioned above and so many other musicians and artists, I believed that my overactive, weary mind needed to take a look at how music and its addressing and illustrating of death, loss, the end of relationships and circumstances affected me and no doubt others. There is an amazing amount of great music that addresses these and other related issues, some quite directly and some more implied or indirect, and I was only able to scratch the surface in the three hours of music and talk that I had. But I cut down a bit on the talking and got to a lot of music, and I hope the playlist below shows some sort of understanding of the issue and provides a bit of solace and understanding to people going directly through death of relatives, friends, etc., and its effects.

     I have written articles/appreciation of Tom Connolly and Penny/Thelma Lee upon their deaths, and I am working on an article about Susan Tanner, but her death seems to have floored me more than the others. I will publish such an article soon, but one longer than normal mic I took during my WBNY Alumni weekend show involved Susan. I played “Hello Birmingham” by Ani DiFranco in Susan’s memory. While Susan worked for Ani and Righteous Babe for years, the real reason I played the song for her was because Susan had been a longtime patient of Planned Parenthood, and it was the talented medical staff there that diagnosed Susan’s inflammatory breast cancer and helped her live for so many years after the diagnosis. “Hello Birmingham” was a spare, aching tome to Birmingham, Alabama, which in the late 1990s underwent the bombing of medical clinics that performed OB/GYN services, including abortions. Buffalo had sustained the vile, intimidating, freedom violating abortion protests of the Spring of Life, and then Dr. Barnett Slepian’s murder/assassination in 1998. Susan strongly defended Planned Parenthood not only for the life-lengthening medical care she received from it, but for the thousands, if not millions, of people who received primary and other medical care there, including the small number of abortions performed. She defended and praised their work, and while Susan did this willingly, forcefully and honestly, she and others should not have had to defend Planned Parenthood from unwarranted attacks for so long. As the son of a 20-year breast and lymph node cancer survivor, friend and admirer of Susan and hopeful defender of reproductive and health care rights, I took the liberty to defend them through this song and story about Susan and to attack those vile, ignorant and/or awful people attacking these rights.

     This is my playlist, by the hour, from ”Death or Glory: Requiem for Friends:”

     6-7 PM – “Death or Glory,” the Clash; “Black Cadillac,” Rosanne Cash; “Long Black Veil,” Johnny Cash; “Come into the House of the Lord,” Marty Stuart and His Fabulous Superlatives; “Killin’ Time in Texas,” Gurf Morlix; “Gloria,” Patti Smith Group; “Marquee Moon,” Television; “Heaven,” Talking Heads; “Innocent When You Dream,” Tom Waits; “Wall of Death,” Richard and Linda Thompson.

     7-8 PM – “The Suit,” Public Image Limited; “This Is It,” the Jumpers; “While the City Sleeps,” the Ramrods; “Last Regrets,” Mark Norris and the Backpeddlers; “Wintertime,” Scary Chicken; “Hello Birmingham,” Ani DiFranco;” “Broken English,” Marianne Faithful; “From the Air,” Laurie Anderson; “It’s No Game,” David Bowie; “Heroes,” David Bowie.

     8-9 PM – “Showroom Dummies,” Kraftwerk; “Symphony No. 6, 2nd Movement,” Glenn Branca; “The Black Angel’s Death Song (Live),” Velvet Underground; “Little Angel, Little Brother,” Lucinda Williams; “Cold Cold Ground,” Tom Waits; “I’m So Lonesome I Could Cry” Hank Williams; “Reload,” Tension; “Ghost Bitch,” Sonic Youth; “Love Comes in Spurts,” Richard Hell and the Voidoids; “Walking Out on Love,” the Beat; “Rockaway Beach,” the Ramones; “Turn on the News,” Husker Du; “You Can’t Put Your Arms Around a Memory,” Johnny Thunders.

     I would actually like the opportunity to address and broach these topics again, maybe with a bit more wisdom of another year pondering these issues; sadly, another friend from the Buffalo music community, guitarist Tyler Harrington, died just after the WBNY show. None of us are naïve enough to realize this doesn’t happen and won’t continue to happen, and it is a way I can honor my friends.